I’m immensely fortunate to have some amazing artists and
writers as online friends. The indomitable Kansas-based artist Bascom Hogue is
the spiritual king of my Stitch-U-Verse.
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| String Box 5, 2015. Distressed watercolor, graphite and pearl cotton hand embroidery. |
Bascom was incredibly generous to write me about these String Boxes. He compared
them to a hook or riff, which really resonates with me. So I’m going to borrow
his words for this post about my latest String Box.
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| Detail from String Box 5, 2015. |
First he defined the riff. "A musical idea, often a short riff, passage or phrase, either melodic or rhythmic, that is used to make a song appealing, to catch the ear of the listener."
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| String Box 3, 2014. |
Then he explained their power. “And the thing about hooks is
that they have an almost neurological effect. They do something to you. They
get to you. They push your buttons in a way that's hard to withstand."
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| String Box 2, 2014. (For Andy) |
And he lamented their absence of the riff from the discussion of art making. “It's a pity that useful words like "hook" and "riff" don't find their way more into the discussion of art, because there's some art they can help us to understand.”
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| WIP: Slightly different spin. Silver and Lead. |
Finally Bascom related the concept to my String Boxes. “Take that definition of hook and change ‘musical’ to ‘pictorial.’ It could be a description of the String Box. This work is all hook, it's designed as a simple, strong visual catch; one riff, writ very large. And damnation, it's good.”
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| Detail from String Box 5, 2015. |
Thank you so much, Bascom. I'm beyond grateful for the attention you paid to my work and the incredibly articulate way you described it.
Read a fantastic interview with Bascom on Donkeywolf. And check out Bascom's stunning work!